"Beautiful things?" Mrs. Gereth turned again to the little worn, bleached stuffs and the sweet spindle-legs. "They're the wretched things that were here—that stupid, starved old woman's." Fleda hesitated a moment; after which she exclaimed with a certain hard pride: "He's enough in love with me for anything!"!

"I?—" The inquiry seemed to have moved him to stupefaction. "Can you ask me that question when I only wanted to please you? Didn't you seem to show me, in your wonderful way, that that was exactly how? I didn't break off just on purpose to leave it to her. I didn't break off so that there shouldn't be a thing to be said against me." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.

As soon as her sister was married she went down to Mrs. Gereth at Ricks—a promise to this effect having been promptly exacted and given; and her inner vision was much more fixed on the alterations there, complete now, as she understood, than on the success of her plotting and pinching for Maggie's happiness. Her imagination, in the interval, had indeed had plenty to do and numerous scenes to visit; for when on the summons just mentioned it had taken a flight from West Kensington to Ricks, it had hung but an hour over the terrace of painted pots and then yielded to a current of the upper air that swept it straight off to Poynton and to Waterbath. Not a sound had reached her of any supreme clash, and Mrs. Gereth had communicated next to nothing; giving out that, as was easily conceivable, she was too busy, too bitter, and too tired for vain civilities. All she had written was that she had got the new place well in hand and that Fleda would be surprised at the way it was turning out. Everything was even yet upside down; nevertheless, in the sense of having passed the threshold of Poynton for the last time, the amputation, as she called it, had been performed. Her leg had come off—she had now begun to stump along with the lovely wooden substitute; she would stump for life, and what her young friend was to come and admire was the beauty of her movement and the noise she made about the house. The reserve of Poynton and Waterbath had been matched by the austerity of Fleda's own secret, under the discipline of which she had repeated to herself a hundred times a day that she rejoiced at having cares that excluded all thought of it. She had lavished herself, in act, on Maggie and the curate, and had opposed to her father's selfishness a sweetness quite ecstatic. The young couple wondered why they had waited so long, since everything was after all so easy. She had thought of everything, even to how the "quietness" of the wedding should be relieved by champagne and her father kept brilliant on a single bottle. Fleda knew, in short, and liked the knowledge, that for several weeks she had appeared exemplary in every relation of life. "Then why doesn't he marry her? He's giving you an extraordinary chance." "Come round?"